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Wild Souls. Symbolism in the Art of the Baltic States at Kumu Art Museum

The high-level exhibition, which is the result of cooperation between the three Baltic states, was initially on display at the Musée d’Orsay in Paris. And its head curator is Rodolphe Rapetti, the outstanding French researcher of Symbolism.

Almost 150 works by notable artists from the art history of the Baltic countries dating from the late 19thcentury to the 1930s are included in the exhibition. On view are works by Janis Rozentāls, Vilhelms Purvītis, Mikalojus Konstantinas Čiurlionis, Kristjan Raud, Nikolai Triik, Konrad Mägi, Oskar Kallis and many other great names of Estonian, Latvian and Lithuanian art from the collections of four Baltic museums: the Latvian National Museum of Art, Art Museum of Estonia, Lithuanian Art Museum and M. K. Čiurlionis National Museum of Art.

The exhibition reveals the specific features of early 20th-century Baltic Symbolism. The local young artists set out to discover the contemporary art movements in Europe, but also had aspirations to help create their own national identities. Their art often intertwines the international artistic idiom with local folk art and symbols of oral heritage. The idea of creative freedom was brought from Western Europe, along with the belief in the ability of art to express the spiritual levels hidden in people.

The three main themes of the exhibition – Myths and Legends, Soul, and Nature – express the artists’ interest in romantic narratives, people’s individual inner worlds and the mystery of nature. The artists delved into their homelands’ narratives and searched for ways to interpret ancient stories in a contemporary artistic idiom.

The exhibition is accompanied by a voluminous catalogue in Estonian and English. This is the first exhaustive treatment of Baltic Symbolism, which is introduced by Rodolphe Rapetti’s essay “Terra incognita”. Rapetti’s essay is motivated by a desire to introduce the works of the artists from the Baltic countries, which the author considers to be unique in the international context of Symbolism, to the broader art public of Western Europe. In addition to abundant pictorial material, the catalogue includes texts by art researchers from the three Baltic states introducing the works included in the exhibition.

Wild Souls. Symbolism in the Art of the Baltic States has received a grant from Estonia’s Ministry of Culture and it is part of the international cultural programme celebrating the centenary of the Republic of Estonia. The exhibition was initially on display at the Musée d’Orsay in Paris from April to mid-July of this year. Almost 250,000 people visited the exhibition.

The Art Museum of Estonia’s foreign exhibition programme started last year, along with the Estonian Presidency of the Council of the European Union. Within the framework of the foreign exhibition programme, the Estonian contemporary art exhibition The Archaeology of the Screen. The Estonian Example was organised at the BOZAR Centre for Fine Arts in Brussels and the exhibition Konrad Mägi was organised at the Galleria Nazionale d’Arte Moderna in Rome, as cooperative projects of the Art Museum of Estonia and the Organising Committee for Estonia 100. In early 2018Michel Sittow. Estonian Painter at the Courts of Renaissance Europe was exhibited at the National Gallery, Washington, and later at the Kumu Art Museum. In November, we can look forward to the opening of the exhibition Border Poetics. Estonian Art 19182018 at the Tretyakov Gallery in Moscow.

The law firm Ellex Valiunas for this exhibition lent a painting by Stanisław Jarocki (Sacred Samogitia, 1910).

Curators: Rodolphe Rapetti and Liis Pählapuu.

Time: 12.10.1803.02.19

Find out more

 

The high-level exhibition, which is the result of cooperation between the three Baltic states, was initially on display at the Musée d’Orsay in Paris. And its head curator is Rodolphe Rapetti, the outstanding French researcher of Symbolism.

Almost 150 works by notable artists from the art history of the Baltic countries dating from the late 19thcentury to the 1930s are included in the exhibition. On view are works by Janis Rozentāls, Vilhelms Purvītis, Mikalojus Konstantinas Čiurlionis, Kristjan Raud, Nikolai Triik, Konrad Mägi, Oskar Kallis and many other great names of Estonian, Latvian and Lithuanian art from the collections of four Baltic museums: the Latvian National Museum of Art, Art Museum of Estonia, Lithuanian Art Museum and M. K. Čiurlionis National Museum of Art.

The exhibition reveals the specific features of early 20th-century Baltic Symbolism. The local young artists set out to discover the contemporary art movements in Europe, but also had aspirations to help create their own national identities. Their art often intertwines the international artistic idiom with local folk art and symbols of oral heritage. The idea of creative freedom was brought from Western Europe, along with the belief in the ability of art to express the spiritual levels hidden in people.

The three main themes of the exhibition – Myths and Legends, Soul, and Nature – express the artists’ interest in romantic narratives, people’s individual inner worlds and the mystery of nature. The artists delved into their homelands’ narratives and searched for ways to interpret ancient stories in a contemporary artistic idiom.

The exhibition is accompanied by a voluminous catalogue in Estonian and English. This is the first exhaustive treatment of Baltic Symbolism, which is introduced by Rodolphe Rapetti’s essay “Terra incognita”. Rapetti’s essay is motivated by a desire to introduce the works of the artists from the Baltic countries, which the author considers to be unique in the international context of Symbolism, to the broader art public of Western Europe. In addition to abundant pictorial material, the catalogue includes texts by art researchers from the three Baltic states introducing the works included in the exhibition.

Wild Souls. Symbolism in the Art of the Baltic States has received a grant from Estonia’s Ministry of Culture and it is part of the international cultural programme celebrating the centenary of the Republic of Estonia. The exhibition was initially on display at the Musée d’Orsay in Paris from April to mid-July of this year. Almost 250,000 people visited the exhibition.

The Art Museum of Estonia’s foreign exhibition programme started last year, along with the Estonian Presidency of the Council of the European Union. Within the framework of the foreign exhibition programme, the Estonian contemporary art exhibition The Archaeology of the Screen. The Estonian Example was organised at the BOZAR Centre for Fine Arts in Brussels and the exhibition Konrad Mägi was organised at the Galleria Nazionale d’Arte Moderna in Rome, as cooperative projects of the Art Museum of Estonia and the Organising Committee for Estonia 100. In early 2018Michel Sittow. Estonian Painter at the Courts of Renaissance Europe was exhibited at the National Gallery, Washington, and later at the Kumu Art Museum. In November, we can look forward to the opening of the exhibition Border Poetics. Estonian Art 19182018 at the Tretyakov Gallery in Moscow.

The law firm Ellex Valiunas for this exhibition lent a painting by Stanisław Jarocki (Sacred Samogitia, 1910).

Curators: Rodolphe Rapetti and Liis Pählapuu.

Time: 12.10.1803.02.19

Find out more